From FEE.org:
TS Eliot (1888-1965) seems like an implausible candidate for inclusion in this gallery of rogues, simply because this paragon of civility and erudition is so widely championed in the annals of anti-liberalism. The American-born Anglophile is the author, after all, of the most famous and revered poem of the 20th century, "The Waste Land" (1922). Its impenetrable narrative captures the post-WWI despair of the English-speaking world, giving the impression that it was not only the war that civilization should regret but the whole of what life had become in the age of mass commerce. Nothing is salvageable, and everything is corrupt.
C.S. Lewis, who regarded Eliot’s work as nothing short of “evil,” said of this poem: “no man is fortified against chaos by reading the Wasteland, but that most men are by it infected with chaos.” What is that chaos? It is the dark longing for some long-dead past and a conviction of the irredeemability of the present, an attitude which is anathema to the classical liberal tradition that sees hope and wonder in what freedom can achieve. It is not a stretch to see Eliot’s literary contribution as part of the entire Modernist literary project in England to put down and condemn everything that capitalism had done for the world. For Eliot in particular, the cost was the integrity of culture itself.
In "Notes Toward a Definition of Culture," Eliot takes hard aim at the entire liberal/Hayekian view of culture as a spontaneous evolution extending from the gradual emergence of norms, tastes, and manner of a free people. For Eliot, the right kind of culture must emanate from an elite, chosen from excellent educational institutions. Everything about industrialization wars against culture, even the advances in publishing. “In our time,” he declared, “we read too many new books… We are encumbered not only with too many new books: we are further embarrassed by too many periodicals, reports and privately circulated memoranda.” [read more]
Source: Five Forgotten Champions of Fascist Control.
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